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Green dimpled dots
£50.50
Arrives at your doorstep in 3-5 business days.
Length: 5.50 m (550.00 cm) ; Width: 1.19 m (119.38 cm)
Blouse Piece: No
Wash Care:
1. Hand wash separately in cold water and salt 2. Don't soak it in water for more than 5 minutes 3. Medium iron
Note: The mannequin is wearing a blouse called Glass house.
Fabric: Mul Cotton
Disclaimer: The pictures are clicked in daylight. Color may vary slightly from the image due to the screen brightness.
As far as our fabrics are concerned, we are in an age of constant innovation and up-gradation. Even so, our love for age-old crafts and processes like block printing can never fade. Block printing is an art that is at least a few centuries old. Especially in India, the art has evolved to incorporate the motifs and designs of different regions. It is a process of printing designs on a base fabric using wooden stamps dipped in dye. The charm lies in the fact that all the steps of block printing are done by artisans using their hands. Right from carving the wooden stamp, which itself requires a lot of expertise and skill, to printing the fabric and drying it, each step is carried out by dedicated artisans. The intricately carved stamps are a wonder by themselves and there are separate sects of artisans who specialise in this and create highly nuanced wooden stamps using chisels, drills and hammers. Once this is done, mustard oil is applied to the stamps and they are left to soak up the oil to prevent cracks. Meanwhile, the base fabric is washed and dyed. Mul Mul fabrics are most preferred as they absorb the colours of the print gorgeously. Following this, the fabric is laid out on a flat surface and held in place with small pins. The wooden stamp is dipped in the chosen dye and then slammed onto the fabric in one forceful motion. The entire saree or as much as required is printed this way by consecutively pressing the stamp on the fabric with force. To make sure that the print doesnt get distorted, sawdust is sprinkled on the saree once the printing is done. After the process is over, the saree is washed and dried. The patience, skill and creativity of artisans come forth brilliantly with a hand block printed saree. There are bound to be small irregularities in the print as a result of human error and that lends a whole new level of allure to this art-form.
The mul cotton is what we call ˜made in heaven at Suta. Known in West Bengal as mul mul, the fabric is buttery soft and delicately beautiful. The weave of this fabric is very fine, and this lends a very fluid texture to it that makes draping it a breeze. It is truly like a hug that wraps you in its love!
Manufacturer
Disclaimer: We make every effort to display the products and other images on our site as accurately as possible. However actual colors may vary
GAR-1257
£31.25
Details
Blouse: Su, the model is wearing a blouse from our in-house collection. To view similar blouses - https://suta.in/collections/blouses
Defect: Hole In Middle Side
Note: Suta Garage sarees may or may not have fall and edging.
The designs on this fabric come alive on our made-in-heaven mul sarees through an intricate process known as screen-printing. This process involves the usage of a mesh-screen made of synthetic polymers that is strung onto a metal or wooden frame at high tension. A stencil with the negative image of what is to be printed is placed beneath the screen and emulsion is applied to create a positive image that lets the dye seep through the screen. The dye is then applied on the fabric through the screen to print the desired image.
The base fabric for these sarees is the forever-favourite made-in-heaven mul.
GAR-1256
Blouse: Su, the model is wearing size S blouse from our in house collection. To view similar blouses -
https://suta.in/collections/blouses
Defect: Thread Shift On Pallu
GAR-1255
£23.75
Blouse: Ta, the model is wearing a blouse from in house collection. To view similar blouses -
Defect: Weaving Defect In Side
The mul cotton is what we call ‘made in heaven’ at Suta. Known in West Bengal as mul mul, the fabric is buttery soft and delicately beautiful. The weave of this fabric is very fine, and this lends a very fluid texture to it that makes draping it a breeze. It is truly like a hug that wraps you in its love!
GAR-1254
£29.50
Length: 6.50 m (650.00 cm) ; Width: 1.19 m (119.38 cm)
Blouse Piece: Yes
1. Hand wash separately in cold water and salt2. Don't soak it in water for more than 5 minutes3. Low iron
Note: The mannequin is wearing a blouse called Needar.
Fabric: Cotton ikat
Defect: Colour Different In Saree
Disclaimer: Slight colour variations are due to photography location and light conditions
Ikat is an art of resist-dyeing where the yarn is coated with resistive materials in specific patterns and then dyed before weaving the fabric. The process of applying dye-resist and dyeing is repeated multiple times to create exquisite patterns. Ikat is an art of dyeing that has been prevalent in many ancient civilisations across the world, specifically in Asia. In India, the art is believed to be over 200 years old.
The base fabric is cotton. Cotton fabric dates back to some of the most ancient civilisations and it has a strong presence in the modern wardrobe as well. The softness and lightness of cotton combined with its strength and versatility makes it one of the most popular choices, especially for the Indian climate.
GAR-1253
Blouse: Su, the model is wearing size S of blouse from called A Jute sweven
Defect: Thread Shift In Middle
GAR-1252
£35.00
Note: The mannequin is wearing a blouse called Black Curls
Defect: Weft Band In Side
GAR-1251
£28.25
Blouse: Ta, the model is wearing size S of blouse called Glass House
Defect: Weaving Defect In Sarees
GAR-1250
£57.75
Wash Care: Dry Wash
Blouse: Su, the model is wearing a blouse Brown Lacy roads.
Fabric: Cotton Polyester. Cotton polyester saree made in Handloom using jacquard cards.
Defect: Weft Bend All Over Saree
Disclaimer: The pictures are clicked in daylight. Colour may vary slightly from the image due to the screen brightness
This saree is made of a gorgeous fabric that is a blend of cotton and polyester, hand-woven on a Jacquard handloom. Here, a set of punch-cards are attached to handlooms to sort the weaving patterns. This makes it easier and faster for weavers to weave the fabric to life. The saree is fluid, soft, falls amazingly well and embodies the charms of handloom fabrics.
GAR-1249
£42.25
Blouse: Su, the model is wearing a blouse called Pearly Everlasting
Defect: Weaving Defect In Middle Side And Thread Shift On Pallu
GAR-1247
£33.25
Wash Care: Dry wash
Blouse: Ta, the model is wearing size S of blouse from Rainforest
The made-in-heaven mul sarees from your wishlist just got dreamier now with the glitter of stars! The process of how they are made is also as endearing as the saree itself. Once we receive the made-in-heaven mul sarees and get a quality check done, these are sent to our superwomen. These women, after finishing household chores and other work for the day, sit together and stitch every single glitter on the saree by hand as Ravindra Sangeeth plays in the background. It takes 3 days to stitch the glitters, after which they make the tassels. Every bit of their joy and love is carried by the saree to reach you!
GAR-1246
£30.75
Blouse: Su, the model is wearing a blouse from our in house collection .To view similar blouses -
GAR-1243
£32.25
Blouse: Su, the model is wearing size S of blouse called Raina- Kaleidoscope
Fabric: Mul cotton
Defect: Weaving Defect On Pallu
GAR-1241
£46.00
Blouse: The model is wearing a blouse is from our in house collection.
Fabric: Cotton Polyester
Defect: Thread Shift In Miiddle Side
GAR-1239
No matter how much we move forward in time, it is often our very roots that hold us in place. As far as our fabrics are concerned, we are in an age of constant innovation and up-gradation. Even so, our love for age-old crafts and processes like block printing can never fade. Block printing is an art that is at least a few centuries old. Especially in India, the art has evolved to incorporate the motifs and designs of different regions. It is a process of printing designs on a base fabric using wooden stamps dipped in dye. The charm lies in the fact that all the steps of block printing are done by artisans using their hands. Right from carving the wooden stamp, which itself requires a lot of expertise and skill, to printing the fabric and drying it, each step is carried out by dedicated artisans. The intricately carved stamps are a wonder by themselves and there are separate sects of artisans who specialise in this and create highly nuanced wooden stamps using chisels, drills and hammers. Once this is done, mustard oil is applied to the stamps and they are left to soak up the oil to prevent cracks. Meanwhile, the base fabric is washed and dyed. Handloom fabrics are most preferred as they absorb the colours of the print gorgeously. Following this, the fabric is laid out on a flat surface and held in place with small pins. The wooden stamp is dipped in the chosen dye and then slammed onto the fabric in one forceful motion. The entire saree or as much as required is printed this way by consecutively pressing the stamp on the fabric with force. After the process is over, the saree is washed and dried. The patience, skill and creativity of artisans come forth brilliantly with a hand block printed saree. There are bound to be small irregularities in the print as a result of human error and that lends a whole new level of allure to this art-form.
The block-printing on this saree is done on a made-in-heaven mul cotton fabric which is lighter than air and loved by our Suta Queens immensely.
GAR-1238
£39.75
Blouse: Su, the model is wearing a blouse called Green Mind.
Fabric: Handloom Mul with zari
Defect: Thread Shift In Middle Side
Disclaimer: The pictures are clicked in daylight. Colour may vary slightly from the image due to the screen brightness.
The handloom cotton is a type of fabric that is woven using hand operated looms. Two sets of interlacing yarns, the warp (length) and weft (width), are woven on a mechanised loom operated by weavers. These looms do not use electricity. Human handling lends the fabrics a unique feel and renders the fabrics more value. The resultant fabric is softer, more durable and much more comfortable than machine-made fabrics. Handloom cotton is more breathable and thus feels lighter in summers and provides more insulation in winters. The dyeing process also becomes easier for handloom cotton as the colour penetration is substantially more. Hues are absorbed better thus look resplendent on handloom cotton.
The art of hand weaving is labour intensive and takes a longer time. But, the beauty it adds to the fabric is priceless. Choosing handloom cotton supports the rich weaving heritage of India and lets the weavers carry on the precious art-form to the future generations as well.
The zari threads add the golden shimmer to the fabric in a very subtle yet beautiful way.
GAR-1237
Blouse: Su, the model is wearing a blouse called Murraya
Defect: Weft Bend On All over Saree
GAR-1236
Blouse: Su, the model is wearing side S of blouse from our in house collection. View similar blouses here
Defect: Thread Shift And Stain All Over Saree
Pili si rekha
£56.00
Note: The mannequin is wearing a blouse called Basic kala.
Fabric: Mul khesh
Disclaimer:The pictures are clicked in daylight. Colour may vary slightly from the image due to the screen brightness
Note: The colours of the khesh lines may vary because it is made from recycled sarees
While we speak of sustainable fashion and up-cycling in the present day and age, weavers have been carrying on the tradition of up-cycling for many decades. The beautiful fabric of khesh is an example of old-world charm remaining as ravishing as ever in any form. The process of khesh weaving is pretty simple. On the handloom, new yarn forms the warp and torn strips of old sarees form the weft. However, the stunning amalgamations that this simple process can produce are truly extraordinary. What started in the early 1920s at Shilpa Sadan that was set up by Rabindranath Tagore near Shantiniketan as a vocational training centre is now a design that symbolises the beauty in the simplicity of the Indian way of living. The traditional weavers in Birbhum pass on their craft to consequent generations and keep the spirit alive.
The old sarees that are torn into strips are got either from different collections centres or from the excess of sarees that the weavers have that haven't been sold. Once the old sarees are collected, shredding them into thin strips by hand is a process that is almost as difficult as the weaving. Cotton sarees are preferred because they are easier to tear when compared to synthetic ones. The weavers have developed short-cuts to make the tearing process easier. They first tear the sarees into 6 or 7 broad strips. Then, cuts of the desired breadth are made at the edge of each strip. Following this, they hold the alternate edges on one hand and the rest in the other hand and pull in opposite directions. Once torn, these strips are weaved as khesh fabric. The outcome of the final fabric can never be predicted beforehand. It is always like a beautiful kaleidoscope churning out different combinations of the colours it contains. This surprise element is the beauty of the fabric.
Often, mul yarn is used in the warp and the resultant fabric is called mul
GAR-1235
Blouse: Su, the model is wearing size S of blouse Red Checkered
Defect: Tassle Wrong
You have exceeded the Staples limit of 1000 (g)
